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Introduction

Have you ever heard a song that instantly lifts your spirits, like a burst of sunshine on a cloudy day? That’s exactly what “Elvira” by The Oak Ridge Boys does. It’s one of those tracks that’s impossible to forget once you hear it—the kind that makes you want to sing along, no matter where you are. The upbeat, almost quirky melody combined with those rich, deep vocals creates a unique sound that makes “Elvira” a classic in country music.

Originally written by songwriter Dallas Frazier in 1966, it wasn’t until The Oak Ridge Boys recorded it in 1981 that the song truly skyrocketed into popularity. There’s something magical about how their harmonies blend so perfectly, especially on that signature bass-driven “oom-papa-mow-mow” chorus. It’s a song that doesn’t take itself too seriously, yet it leaves a lasting impression.

What makes “Elvira” special is its timeless appeal. It’s one of those rare songs that crosses generations, bringing people together in the joy of music. Whether you’re listening for the first time or the hundredth, it’s hard not to tap your feet, sway along, and feel good. It’s more than a song—it’s a mood.

Video

Lyrics

Elvira
Elvira
My heart’s on fire for Elvira
With eyes that look like heaven
Lips like cherry wine
That girl can sure enough make my little light shine
I get a funny feelin’ up and down my spine
‘Cause I know that my Elvira’s mine
Elvira
Elvira
My heart’s on fire for Elvira
Giddy up, um-poppa-um-poppa, mow, mow
Giddy up, um-poppa-um-poppa, mow, mow
High-ho silver, away
Tonight I’m gonna meet her at the hungry house café
I’m gonna give her all the love I can
Yes, I am
She’s gonna jump and holler
I’ve saved up my last two dollar
We’re gonna search and find that preacher man
Then I’ll be singin’
Elvira
Elvira
My heart’s on fire for Elvira
Giddy up, um-poppa-um-poppa, mow, mow
Giddy up, um-poppa-um-poppa, mow, mow
High-ho silver, away
Elvira
Elvira
My heart’s on fire for Elvira
Giddy up, um-poppa-um-poppa, mow, mow
Giddy up, um-poppa-um-poppa, mow, mow
High-ho silver, away
Elvira (yeah)
Elvira
My heart’s on fire for Elvira
Giddy up, um-poppa-um-poppa, mow, mow
Giddy up, um-poppa-um-poppa, mow, mow
High-ho silver, away
Play again
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You Missed

“SOME LEGENDS ALMOST WALK AWAY BEFORE THEIR STORY BEGINS.” In the late 1970s, George Strait nearly quit music altogether. He had accepted a steady job designing cattle pens in Uvalde, weary of chasing a dream that seemed to slip further away. Norma quickly noticed the change. “I didn’t want to live with him like that,” she recalled. Her encouragement gave George one last push — a promise to try for just one more year. That decision changed everything. With help from his friend Erv Woolsey, George traveled back to Nashville, only to hear again that his voice was “too country.” Rejected but not broken, he and Erv convinced MCA executives to hear the Ace In The Hole Band live in a Texas honky-tonk. This time, the spark caught. George was offered a single: a heartbroken drinking song called “Unwound.” Released in May 1981, just days before his 29th birthday, the track climbed to No. 6. George remembered hearing it on the radio while still working as a ranch foreman — shocked to recognize his own voice climbing the charts. That success led to his debut album, Strait Country, and soon after, his first No. 1 with “Fool Hearted Memory.” But Nashville wanted to mold him. They told him to lose the hat, soften the sound, lean into pop polish. George resisted. “They were trying to make me into something else, but I was too hardheaded,” he later said. By the time his fourth album was underway, he had the confidence to push back. With hits on the charts and awards in hand, George Strait claimed control of his music — and in doing so, set the course for a career that would honor tradition while rewriting history.