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Country Music

George Strait – Check Yes Or No

“Scroll down to the end of the article to listen to music.”

Introduction

George Strait’s “Check Yes or No,” released in September 1995, is a song that captures the charm of childhood love with a simplicity that speaks to the heart. Imagine a small piece of paper passed across a schoolroom, a little boy anxiously waiting as the girl of his dreams decides whether to check ‘yes’ or ‘no.’ This small gesture beautifully encapsulates the innocence and excitement of first love, a theme that resonates universally and is poignantly explored in this song.

About The Composition

  • Title: Check Yes or No
  • Composer: Danny Wells and Dana Hunt Black
  • Premiere Date: September 1995
  • Album/Opus/Collection: Strait Out of the Box
  • Genre: Country

Background

“Check Yes or No” was written by Danny Wells and Dana Hunt Black and recorded by the legendary country singer George Strait. It was the lead single from his box set, “Strait Out of the Box.” The song quickly climbed to number one on the U.S. Billboard country chart and the Canadian RPM country chart, showcasing its wide appeal and resonating with audiences who cherished the story of lifelong love that starts from a youthful crush. This song not only exemplifies Strait’s ability to tell relatable stories but also solidifies his status in the country music genre.

Musical Style

The song employs a classic country music arrangement, utilizing acoustic guitars, fiddle, and pedal steel guitar to create a warm, inviting sound that complements its nostalgic lyrics. The simple melody and straightforward structure allow the lyrics to shine, highlighting the storytelling aspect that is a hallmark of country music. The arrangement supports the narrative arc of the song, which starts with a youthful query and blossoms into a lifelong relationship.

Lyrics/Libretto

The lyrics of “Check Yes or No” tell a captivating story of a boy and girl who grow up together and eventually marry, traced back to their initial interaction in elementary school. This narrative not only explores the innocence of childhood romance but also touches on the enduring nature of love. The chorus, “Do you love me, do you wanna be my friend?” becomes a recurring motif that underscores the simplicity yet profound nature of their bond.

Performance History

Since its release, “Check Yes or No” has been a staple in George Strait’s performances, often eliciting strong audience participation and nostalgia. It remains one of his most beloved songs, characterized by its ability to transport listeners back to their own memories of first loves and childhood friendships.

Cultural Impact

The song has transcended its initial release, influencing not only music but also popular culture. It has been referenced in various media, illustrating its lasting appeal and the way it taps into a universal, sentimental experience. Its theme of innocent love and the simplicity of the question posed by the song’s title have made it a timeless piece in country music and beyond.

Legacy

“Check Yes or No” continues to be relevant today, as new generations discover its charm and the timeless story it tells. It holds a special place in George Strait’s repertoire and in the hearts of his fans, often serving as a reminder of the purity and joy of first love.

Conclusion

“Check Yes or No” is more than just a song; it is a narrative that captures the essence of lasting love that starts with a simple, innocent question. Its ability to evoke emotion and nostalgia makes it a must-listen for anyone who appreciates storytelling in music. I encourage you to listen to this track and let yourself be transported back to the simplicity and significance of those little moments that define a lifelong relationship.

Video

Lyrics

It started way back in third grade
I used to sit beside Emmylou Hayes
A pink dress, a matching bow in her ponytail
She kissed me on the school bus but told me not to tell
Next day I chased her ’round the playground
‘Cross the monkey bars to the merry-go-round
And Emmylou got caught passing me a note
Before the teacher took it I read what she wrote
“Do you love me? Do you wanna be my friend?
And if you do
Well then don’t be afraid to take me by the hand
If you want to
I think this is how love goes
Check yes or no”
Now we’re grown up and she’s my wife
Still like two kids with stars in our eyes
Ain’t much changed, I still chase Emmylou
Up and down the hall, around the bed in our room
Last night I took her out in a white limousine
Twenty years together she still gets to me
Can’t believe it’s been that long ago
When we got started with just a little note
“Do you love me? Do you wanna be my friend?
And if you do
Well then don’t be afraid to take me by the hand
If you want to
I think this is how love goes
Check yes or no”
“Do you love me? Do you wanna be my friend?
And if you do
Well then don’t be afraid to take me by the hand
If you want to
I think this is how love goes
Check yes or no”
Check yes or no
Check yes or no
Check yes or no
Check yes or no

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“SOME LEGENDS ALMOST WALK AWAY BEFORE THEIR STORY BEGINS.” In the late 1970s, George Strait nearly quit music altogether. He had accepted a steady job designing cattle pens in Uvalde, weary of chasing a dream that seemed to slip further away. Norma quickly noticed the change. “I didn’t want to live with him like that,” she recalled. Her encouragement gave George one last push — a promise to try for just one more year. That decision changed everything. With help from his friend Erv Woolsey, George traveled back to Nashville, only to hear again that his voice was “too country.” Rejected but not broken, he and Erv convinced MCA executives to hear the Ace In The Hole Band live in a Texas honky-tonk. This time, the spark caught. George was offered a single: a heartbroken drinking song called “Unwound.” Released in May 1981, just days before his 29th birthday, the track climbed to No. 6. George remembered hearing it on the radio while still working as a ranch foreman — shocked to recognize his own voice climbing the charts. That success led to his debut album, Strait Country, and soon after, his first No. 1 with “Fool Hearted Memory.” But Nashville wanted to mold him. They told him to lose the hat, soften the sound, lean into pop polish. George resisted. “They were trying to make me into something else, but I was too hardheaded,” he later said. By the time his fourth album was underway, he had the confidence to push back. With hits on the charts and awards in hand, George Strait claimed control of his music — and in doing so, set the course for a career that would honor tradition while rewriting history.

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For all the records and titles — more than 100 million albums sold, 60 number-one hits — George Strait has always carried himself as something simpler: a Texas man who loves the land, his family, and the quiet life. He often said, “Country music is important to me, but it’s not my whole life. I like to hunt, I like to fish, I like to play golf.” Unlike many of the hard-living legends he once admired, Strait built his legacy without scandal, grounded instead in loyalty and restraint. Songwriter Dean Dillon calls him “the ultimate family man,” never far from Norma and Bubba, whether on stage or back at the ranch. What makes George Strait remarkable is not only his unmatched success, but the way he achieved it — steady, traditional, and timeless. In an ever-changing genre, he proved that authenticity endures. Long after the spotlights fade, the King of Country remains what he has always been: a humble Texan, letting the music speak for itself.

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Long before sold-out stadiums and platinum records, George and Norma Strait built their marriage on small-town beginnings. They married young, when money was scarce and dreams still uncertain, yet their bond carried them through long nights and quiet struggles. In 1983, when George recorded “You Look So Good in Love,” audiences heard a tender ballad of devotion. But Norma knew it wasn’t just performance — it was a reflection of the way he had always seen her, even in their most modest days. George once said, “Norma’s been with me through everything — she’s the love of my life.” That sentiment gave the song its timeless resonance. For fans, it became one of his most enduring love songs. For George and Norma, it was simply their truth: that love doesn’t need fame or fortune to shine. It only needs two people willing to walk together, from the very start, through every chapter.

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“SOME LEGENDS ALMOST WALK AWAY BEFORE THEIR STORY BEGINS.” In the late 1970s, George Strait nearly quit music altogether. He had accepted a steady job designing cattle pens in Uvalde, weary of chasing a dream that seemed to slip further away. Norma quickly noticed the change. “I didn’t want to live with him like that,” she recalled. Her encouragement gave George one last push — a promise to try for just one more year. That decision changed everything. With help from his friend Erv Woolsey, George traveled back to Nashville, only to hear again that his voice was “too country.” Rejected but not broken, he and Erv convinced MCA executives to hear the Ace In The Hole Band live in a Texas honky-tonk. This time, the spark caught. George was offered a single: a heartbroken drinking song called “Unwound.” Released in May 1981, just days before his 29th birthday, the track climbed to No. 6. George remembered hearing it on the radio while still working as a ranch foreman — shocked to recognize his own voice climbing the charts. That success led to his debut album, Strait Country, and soon after, his first No. 1 with “Fool Hearted Memory.” But Nashville wanted to mold him. They told him to lose the hat, soften the sound, lean into pop polish. George resisted. “They were trying to make me into something else, but I was too hardheaded,” he later said. By the time his fourth album was underway, he had the confidence to push back. With hits on the charts and awards in hand, George Strait claimed control of his music — and in doing so, set the course for a career that would honor tradition while rewriting history.

Country Music

For all the records and titles — more than 100 million albums sold, 60 number-one hits — George Strait has always carried himself as something simpler: a Texas man who loves the land, his family, and the quiet life. He often said, “Country music is important to me, but it’s not my whole life. I like to hunt, I like to fish, I like to play golf.” Unlike many of the hard-living legends he once admired, Strait built his legacy without scandal, grounded instead in loyalty and restraint. Songwriter Dean Dillon calls him “the ultimate family man,” never far from Norma and Bubba, whether on stage or back at the ranch. What makes George Strait remarkable is not only his unmatched success, but the way he achieved it — steady, traditional, and timeless. In an ever-changing genre, he proved that authenticity endures. Long after the spotlights fade, the King of Country remains what he has always been: a humble Texan, letting the music speak for itself.

Country Music

Long before sold-out stadiums and platinum records, George and Norma Strait built their marriage on small-town beginnings. They married young, when money was scarce and dreams still uncertain, yet their bond carried them through long nights and quiet struggles. In 1983, when George recorded “You Look So Good in Love,” audiences heard a tender ballad of devotion. But Norma knew it wasn’t just performance — it was a reflection of the way he had always seen her, even in their most modest days. George once said, “Norma’s been with me through everything — she’s the love of my life.” That sentiment gave the song its timeless resonance. For fans, it became one of his most enduring love songs. For George and Norma, it was simply their truth: that love doesn’t need fame or fortune to shine. It only needs two people willing to walk together, from the very start, through every chapter.

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In 1983, George Strait released “Amarillo by Morning,” a rodeo ballad that felt less like a performance and more like a reflection of his own roots. Written by Terry Stafford and Paul Fraser, the song captured the weary resilience of a cowboy chasing arenas, knowing both the triumph and the loneliness of the road. When George sang it, his voice carried not only the words, but the authenticity of a man raised in Texas saddles, where dawn rides and quiet losses were a way of life. George once admitted, “That song just fit me — it was who I was.” Over time, “Amarillo by Morning” became more than a hit; it became an anthem, embodying the spirit of the American West. And for George Strait, it was proof that the truest music doesn’t come from chasing trends — it comes from living the life you sing about, and letting the world hear the dust, the grit, and the dignity in every note.