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Introduction

There’s something timeless about the stirring melody and profound lyrics of “How Great Thou Art.” This hymn is more than just a musical composition; it’s a powerful expression of awe and gratitude towards the grandeur of nature and the divine. Originating in the early 20th century, its roots trace back to a Swedish poem by Carl Boberg, which was later set to a traditional Swedish melody. The song’s journey from a small Swedish village to global beloved status is a testament to its universal appeal and emotional depth.

Each verse of “How Great Thou Art” invites listeners into a reflective state, encouraging them to look around at the wonders of the world, from the stars in the sky to the gentle rustle of the forest’s leaves, and acknowledge the creator’s hand in it all. What makes this hymn stand out is how it transcends personal worship and connects with listeners on a deeply emotional level, evoking feelings of humbleness and an overwhelming sense of peace.

The hymn’s impact on listeners around the world is undeniable. It has been covered by numerous artists across different genres, each bringing their own unique touch to this profound piece. The rendition by Elvis Presley, for example, not only showcased his vocal ability but also his personal connection to gospel music, making it a staple in his live performances.

When you listen to “How Great Thou Art,” it’s not just the words or the melody that move you; it’s the experience of feeling smaller in the vastness of creation, yet intimately known and cared for. It’s a reminder of the beauty and mystery that surrounds us, and a call to respond with gratitude and awe.

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Lyrics

Oh, Lord, my God
When I in awesome wonder
Consider all the worlds
Thy hands have made
I see the stars
I hear the rollin’ thunder
Thy power throughout
The universe displayed
Then sings my soul
My Saviour, God to Thee
How great Thou art
How great Thou art
Then sings my soul
My Saviour, God to Thee
How great Thou art
How great Thou art
When Christ shall come
With shouts of acclamation
And take me home
What joy shall fill my heart?
Then I shall bow
In humble adoration
And there proclaim
“My God, how great Thou art”
Then sings my soul
My Saviour, God to Thee
How great Thou art
How great Thou art
Then sings my soul
My Saviour, God to Thee
How great Thou art
How great Thou art
How great Thou art
How great Thou art

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“SOME LEGENDS ALMOST WALK AWAY BEFORE THEIR STORY BEGINS.” In the late 1970s, George Strait nearly quit music altogether. He had accepted a steady job designing cattle pens in Uvalde, weary of chasing a dream that seemed to slip further away. Norma quickly noticed the change. “I didn’t want to live with him like that,” she recalled. Her encouragement gave George one last push — a promise to try for just one more year. That decision changed everything. With help from his friend Erv Woolsey, George traveled back to Nashville, only to hear again that his voice was “too country.” Rejected but not broken, he and Erv convinced MCA executives to hear the Ace In The Hole Band live in a Texas honky-tonk. This time, the spark caught. George was offered a single: a heartbroken drinking song called “Unwound.” Released in May 1981, just days before his 29th birthday, the track climbed to No. 6. George remembered hearing it on the radio while still working as a ranch foreman — shocked to recognize his own voice climbing the charts. That success led to his debut album, Strait Country, and soon after, his first No. 1 with “Fool Hearted Memory.” But Nashville wanted to mold him. They told him to lose the hat, soften the sound, lean into pop polish. George resisted. “They were trying to make me into something else, but I was too hardheaded,” he later said. By the time his fourth album was underway, he had the confidence to push back. With hits on the charts and awards in hand, George Strait claimed control of his music — and in doing so, set the course for a career that would honor tradition while rewriting history.

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“SOME LEGENDS ALMOST WALK AWAY BEFORE THEIR STORY BEGINS.” In the late 1970s, George Strait nearly quit music altogether. He had accepted a steady job designing cattle pens in Uvalde, weary of chasing a dream that seemed to slip further away. Norma quickly noticed the change. “I didn’t want to live with him like that,” she recalled. Her encouragement gave George one last push — a promise to try for just one more year. That decision changed everything. With help from his friend Erv Woolsey, George traveled back to Nashville, only to hear again that his voice was “too country.” Rejected but not broken, he and Erv convinced MCA executives to hear the Ace In The Hole Band live in a Texas honky-tonk. This time, the spark caught. George was offered a single: a heartbroken drinking song called “Unwound.” Released in May 1981, just days before his 29th birthday, the track climbed to No. 6. George remembered hearing it on the radio while still working as a ranch foreman — shocked to recognize his own voice climbing the charts. That success led to his debut album, Strait Country, and soon after, his first No. 1 with “Fool Hearted Memory.” But Nashville wanted to mold him. They told him to lose the hat, soften the sound, lean into pop polish. George resisted. “They were trying to make me into something else, but I was too hardheaded,” he later said. By the time his fourth album was underway, he had the confidence to push back. With hits on the charts and awards in hand, George Strait claimed control of his music — and in doing so, set the course for a career that would honor tradition while rewriting history.