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Introduction

Hillbilly Girl captures the essence of a life steeped in the rugged, heartfelt simplicity of rural America. It’s not just a song; it’s a vivid narrative painted with the strokes of guitar strings and soulful vocals. The track resonates with the spirit of a young woman embracing her roots while navigating the complexities of modern life. It blends traditional country sounds with a contemporary twist, creating a bridge between generations.

The charm of “Hillbilly Girl” lies in its authenticity. The lyrics are a heartfelt tribute to the resilience and undying spirit of women who grow up in the countryside. They are the backbone of their families, often juggling the harsh realities of farm life with the tender care of their loved ones. The song echoes with the sounds of nature, the rustle of leaves, and the distant calls of wildlife—elements that are inseparable from the identity of a hillbilly girl.

What makes this song special is its ability to evoke emotions. It’s about pride and identity, about knowing where you come from and holding that close no matter where life takes you. It’s a reminder of the simple joys—of clear starry nights, the smell of the earth after rain, and the warmth of a small community where everyone knows your name.

Hillbilly Girl also touches on the themes of empowerment and independence. It portrays its protagonist not just as a figure of rustic charm but as a beacon of strength and inspiration. With each verse, it builds up the image of a woman who’s as fierce as she is loving, as bold as she is kind.

This song is a celebration—a celebration of heritage, strength, and the beauty of staying true to one’s roots. It’s a piece that connects with anyone who holds a piece of the countryside in their heart, making it more than just a melody—it’s a personal story shared among friends, over a fire, under the vast, open sky.

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Lyrics

Well, I don’t mind if I ain’t got time but that don’t bother me
I’m a hillbilly girl in a hillbilly world but that don’t bother me
Well, I ain’t that bright but I know what’s right
From mistakes and my colour TV
I don’t care if I lose my hair ’cause I’m livin’ happily
Well, the sun don’t shine in the wintertime
But that don’t bother me
And the car won’t go if you drive too slow
But that don’t bother me
And your heart won’t ache if you’re here to take
All this love from me
Well, they don’t give a damn ’bout a worried man
As far as I can see
Well, I don’t mind if I ain’t got time but that don’t bother me
I’m a hillbilly girl in a hillbilly world but that don’t bother me
Well, I ain’t that bright but I know what’s right
From mistakes and my colour TV
I don’t care if I lose my hair ’cause I’m livin’ happily (yeehah!)
Well, it ain’t this town makes the world go round
But that don’t bother me
‘Cause the time’s too slow when I’m on the go
But that don’t bother me
And the dirty old road that nobody knows
Feels like home to me
Well, I might not stay but this town has a way
Of catchin’ up at me
Well, I don’t mind if I ain’t got time but that don’t bother me
I’m a hillbilly girl in a hillbilly world but that don’t bother me
Well, I ain’t that bright but I know what’s right
From mistakes and my colour TV
I don’t care if I lose my hair ’cause I’m livin’ happily
Well, I don’t mind if I ain’t got time but that don’t bother me
I’m a hillbilly girl in a hillbilly world but that don’t bother me
Well, I ain’t that bright but I know what’s right
From mistakes and my colour TV
I don’t care if I lose my hair ’cause I’m livin’ happily
I don’t care if I lose my hair ’cause I’m livin’ happily

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“SOME LEGENDS ALMOST WALK AWAY BEFORE THEIR STORY BEGINS.” In the late 1970s, George Strait nearly quit music altogether. He had accepted a steady job designing cattle pens in Uvalde, weary of chasing a dream that seemed to slip further away. Norma quickly noticed the change. “I didn’t want to live with him like that,” she recalled. Her encouragement gave George one last push — a promise to try for just one more year. That decision changed everything. With help from his friend Erv Woolsey, George traveled back to Nashville, only to hear again that his voice was “too country.” Rejected but not broken, he and Erv convinced MCA executives to hear the Ace In The Hole Band live in a Texas honky-tonk. This time, the spark caught. George was offered a single: a heartbroken drinking song called “Unwound.” Released in May 1981, just days before his 29th birthday, the track climbed to No. 6. George remembered hearing it on the radio while still working as a ranch foreman — shocked to recognize his own voice climbing the charts. That success led to his debut album, Strait Country, and soon after, his first No. 1 with “Fool Hearted Memory.” But Nashville wanted to mold him. They told him to lose the hat, soften the sound, lean into pop polish. George resisted. “They were trying to make me into something else, but I was too hardheaded,” he later said. By the time his fourth album was underway, he had the confidence to push back. With hits on the charts and awards in hand, George Strait claimed control of his music — and in doing so, set the course for a career that would honor tradition while rewriting history.

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“SOME LEGENDS ALMOST WALK AWAY BEFORE THEIR STORY BEGINS.” In the late 1970s, George Strait nearly quit music altogether. He had accepted a steady job designing cattle pens in Uvalde, weary of chasing a dream that seemed to slip further away. Norma quickly noticed the change. “I didn’t want to live with him like that,” she recalled. Her encouragement gave George one last push — a promise to try for just one more year. That decision changed everything. With help from his friend Erv Woolsey, George traveled back to Nashville, only to hear again that his voice was “too country.” Rejected but not broken, he and Erv convinced MCA executives to hear the Ace In The Hole Band live in a Texas honky-tonk. This time, the spark caught. George was offered a single: a heartbroken drinking song called “Unwound.” Released in May 1981, just days before his 29th birthday, the track climbed to No. 6. George remembered hearing it on the radio while still working as a ranch foreman — shocked to recognize his own voice climbing the charts. That success led to his debut album, Strait Country, and soon after, his first No. 1 with “Fool Hearted Memory.” But Nashville wanted to mold him. They told him to lose the hat, soften the sound, lean into pop polish. George resisted. “They were trying to make me into something else, but I was too hardheaded,” he later said. By the time his fourth album was underway, he had the confidence to push back. With hits on the charts and awards in hand, George Strait claimed control of his music — and in doing so, set the course for a career that would honor tradition while rewriting history.