“Scroll down to the end of the article to listen to music.”

Introduction

Imagine it’s 1987, and the airwaves are buzzing with the latest country hit that seems to capture the essence of heartbreak and deceit. That song is “Somebody Lied,” a soulful narrative that resonated deeply with its audience, becoming Ricky Van Shelton’s first number-one single on the country charts.

About The Composition

  • Title: Somebody Lied
  • Composer: Joe Chambers, Larry Jenkins
  • Premiere Date: Released on July 27, 1987
  • Album/Opus/Collection: From the album “Wild-Eyed Dream”
  • Genre: Country

Background

Originally recorded by Conway Twitty in 1985, “Somebody Lied” found its true success in the hands of Ricky Van Shelton. It not only topped the charts but also marked a significant point in Shelton’s career, establishing him as a key figure in country music during that era.

Musical Style

“Somebody Lied” is quintessentially country, with a melodic line that carries the emotional weight of the lyrics. The instrumentation supports the vocal narrative, creating a poignant atmosphere that highlights the themes of betrayal and emotional distress.

Lyrics/Libretto

The song’s lyrics delve into themes of deception and lost love, effectively conveying the pain of realizing someone has not been truthful. The interplay between the lyrics and the music amplifies the emotional impact of the song, making it relatable and poignant.

Performance History

Since its release, “Somebody Lied” has seen various performances, primarily by Ricky Van Shelton, whose rendition remains the most iconic. Its success on the charts and continued relevance in country music playlists underscore its enduring appeal.

Cultural Impact

The song’s influence extends beyond just the country music scene, reflecting universal themes of love and betrayal that resonate with a broad audience. Its use in other media and cover versions by other artists highlight its lasting impact.

Legacy

“Somebody Lied” holds a special place in the annals of country music, remembered for its lyrical depth and musical expression. It continues to be a beloved classic, relevant in discussions about the best of country music from the 1980s.

Conclusion

Reflecting on “Somebody Lied” offers more than just nostalgia; it’s a reminder of the power of music to capture and convey deep human emotions. For those new to Ricky Van Shelton or country music enthusiasts, listening to this track is a profound experience, recommended for anyone wanting to understand the heart and soul of country music during its vibrant era.

For further details, you can explore the song’s history and impact on its Wikipedia page.

Video

Lyrics

Hello, yeah, this is me
Lord it’s been a long, long time
I know this ain’t no social call
So go ahead, get it off your mind
You heard what? Well it ain’t true
I was here most all last night
I got over you the day you left
Could it be somebody lied?
They said what? That I was cryin’?
I haven’t shed a tear in years
That I spoke your name? Well that’s insane
I’ve hardly noticed you’re not here
That I showed your picture to some stranger?
Don’t you think I’ve got no pride?
They’ve been here at home face down on a shelf
Lord, I bet somebody lied
But if they were true
What would it matter to you?
Would it change the way you feel?
If the rumors were right
Would you be here tonight
To help this old heart heal?
Well, don’t worry, it wasn’t me
Just someone whose world was torn in two
Someone who looks a lot like me
And loves someone like you
So forget the tears I never cried
Lord I bet somebody lied

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“SOME LEGENDS ALMOST WALK AWAY BEFORE THEIR STORY BEGINS.” In the late 1970s, George Strait nearly quit music altogether. He had accepted a steady job designing cattle pens in Uvalde, weary of chasing a dream that seemed to slip further away. Norma quickly noticed the change. “I didn’t want to live with him like that,” she recalled. Her encouragement gave George one last push — a promise to try for just one more year. That decision changed everything. With help from his friend Erv Woolsey, George traveled back to Nashville, only to hear again that his voice was “too country.” Rejected but not broken, he and Erv convinced MCA executives to hear the Ace In The Hole Band live in a Texas honky-tonk. This time, the spark caught. George was offered a single: a heartbroken drinking song called “Unwound.” Released in May 1981, just days before his 29th birthday, the track climbed to No. 6. George remembered hearing it on the radio while still working as a ranch foreman — shocked to recognize his own voice climbing the charts. That success led to his debut album, Strait Country, and soon after, his first No. 1 with “Fool Hearted Memory.” But Nashville wanted to mold him. They told him to lose the hat, soften the sound, lean into pop polish. George resisted. “They were trying to make me into something else, but I was too hardheaded,” he later said. By the time his fourth album was underway, he had the confidence to push back. With hits on the charts and awards in hand, George Strait claimed control of his music — and in doing so, set the course for a career that would honor tradition while rewriting history.

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“SOME LEGENDS ALMOST WALK AWAY BEFORE THEIR STORY BEGINS.” In the late 1970s, George Strait nearly quit music altogether. He had accepted a steady job designing cattle pens in Uvalde, weary of chasing a dream that seemed to slip further away. Norma quickly noticed the change. “I didn’t want to live with him like that,” she recalled. Her encouragement gave George one last push — a promise to try for just one more year. That decision changed everything. With help from his friend Erv Woolsey, George traveled back to Nashville, only to hear again that his voice was “too country.” Rejected but not broken, he and Erv convinced MCA executives to hear the Ace In The Hole Band live in a Texas honky-tonk. This time, the spark caught. George was offered a single: a heartbroken drinking song called “Unwound.” Released in May 1981, just days before his 29th birthday, the track climbed to No. 6. George remembered hearing it on the radio while still working as a ranch foreman — shocked to recognize his own voice climbing the charts. That success led to his debut album, Strait Country, and soon after, his first No. 1 with “Fool Hearted Memory.” But Nashville wanted to mold him. They told him to lose the hat, soften the sound, lean into pop polish. George resisted. “They were trying to make me into something else, but I was too hardheaded,” he later said. By the time his fourth album was underway, he had the confidence to push back. With hits on the charts and awards in hand, George Strait claimed control of his music — and in doing so, set the course for a career that would honor tradition while rewriting history.