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Introduction

“In The Garden”—a song that feels like a gentle stroll through a place of serenity and reflection. Imagine walking down a dew-kissed path early in the morning, the air filled with the scent of blooming flowers and the quiet hum of nature. That’s the essence captured in this timeless hymn.

Written in 1912 by C. Austin Miles, “In The Garden” isn’t just a song; it’s an experience. Miles, inspired by the biblical story of Mary Magdalene visiting the empty tomb of Jesus, composed this hymn to evoke the peaceful, personal communion one might feel in a garden, alone with their thoughts and spiritual presence.

What makes “In The Garden” so special is its ability to connect deeply with listeners across generations. It’s not just the melody that lingers in your mind long after the song ends, but the intimate lyrics that invite you to “walk with me and talk with me.” The song portrays a scene of comforting solitude where every listener can find a moment of peace, imagining themselves in their personal haven, perhaps reflecting on life, love, or faith.

As you listen to the gentle flow of its music, it’s easy to see why this hymn has found a special place at so many important occasions, from Sunday services to quiet moments of personal reflection. It’s a musical retreat into a world that feels both sacred and intensely personal.

Engaging with the Song:

  • Have you ever found a personal sanctuary, much like the garden described in the hymn, where you feel a deep sense of peace?
  • Can you recall a moment when a song perfectly encapsulated your feelings during a reflective time?

This hymn continues to resonate not just as a piece of music but as a comforting companion through the gardens of our lives, reminding us of the beauty and peace that can be found in moments of solitude.

Video

Lyrics

I come to the garden alone
While the dew is still on the roses
And the voice I hear, falling on my ear
The son of God discloses
And he walks with me
And he talks with me
And he tells me I am his own
And the joy we share as we tarry there
None other has ever known
I’d stay in the garden with him
Though the night around me is falling
But he bids me go
Through the voice of woe
His voice to me is calling
And he walks with me
And he talks with me
And he tells me I am his own
And the joy we share as we tarry there
None other has ever known
And the joy we share as we tarry there
None other has ever known

You Missed

“SOME LEGENDS ALMOST WALK AWAY BEFORE THEIR STORY BEGINS.” In the late 1970s, George Strait nearly quit music altogether. He had accepted a steady job designing cattle pens in Uvalde, weary of chasing a dream that seemed to slip further away. Norma quickly noticed the change. “I didn’t want to live with him like that,” she recalled. Her encouragement gave George one last push — a promise to try for just one more year. That decision changed everything. With help from his friend Erv Woolsey, George traveled back to Nashville, only to hear again that his voice was “too country.” Rejected but not broken, he and Erv convinced MCA executives to hear the Ace In The Hole Band live in a Texas honky-tonk. This time, the spark caught. George was offered a single: a heartbroken drinking song called “Unwound.” Released in May 1981, just days before his 29th birthday, the track climbed to No. 6. George remembered hearing it on the radio while still working as a ranch foreman — shocked to recognize his own voice climbing the charts. That success led to his debut album, Strait Country, and soon after, his first No. 1 with “Fool Hearted Memory.” But Nashville wanted to mold him. They told him to lose the hat, soften the sound, lean into pop polish. George resisted. “They were trying to make me into something else, but I was too hardheaded,” he later said. By the time his fourth album was underway, he had the confidence to push back. With hits on the charts and awards in hand, George Strait claimed control of his music — and in doing so, set the course for a career that would honor tradition while rewriting history.